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Narrative as a Display Mode
The Teleological Principle
The Discursive Principle
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action adventures analysis Aristotelian Aristotle Aristotle's assert audience audience's narrativity authoritative Barbara Herrnstein Smith Barthelme's behavior Bleak House Braudy causal Chapter characters closure Clytemnestra coherent committed conclusion conflict context contingent conventions critics death Dickens Dickens's diegesis diegetic digressive display distinction distinguish documentary film dramatic E. M. Forster edited episode example explicit fiction and nonfiction figure function genre given hermeneutical hero historical novels human experience identity images implicata implicatures imputation intelligible Kermode killed Little Dorrit logical meaning modes moral Murdoch's narrative discourse narrative world narratology narrator nature Odysseus Odysseus's pattern Pickwick Papers play plot poem polytropic present principle problematic question R. P. Blackmur rationale reader relation revelation rhetorical rule Searle Searle's sense short story simply situation soap opera social sonnet Sophocles speech storyteller structure teleology tellable temporal thematic theory tion tive tragedy trope true ultimately University Press York