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A history of the Tallis Scholars
A history of Gimell Records
Performing polyphony 1 o 1
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able Allegri amateur Andrew Carwood artists asked audience authentic performance baroque building Byrd Caroline Trevor cathedral CDGIM choir choral church composers concert halls conductor copies course Deborah Roberts despite discs early music editing English ensemble everything example experience fact feel ficta Flemish Francis Steele Gimell going hear heard idea Interviewer invited Josquin Julian Walker kind Lassus later least legato listening live Magnificat Maria Mass means mind Missa modern motet music-making musicians never on-stage once one's orchestra organisation Oxford Palestrina performance Philip Cave phrase piece Plainchant Polygram polyphony problem professional programme realise record rehearsal renaissance music repertoire Requiem Sally Dunkley sang seemed sense sessions singers singing polyphony Sistine Chapel sopranos sound Steve style sung Tallis Scholars Tallis's tenors things Thomas Tallis tion tour trying Victoria voices whole words