Begnung Der Extreme : Brecht und Beckett : Eine Re-interpretation
International Brecht Society, 2002 - Literary Criticism - 232 pages
For about thirty years in the middle of the twentieth century, Samuel Beckett and Bertolt Brecht dominated Western theater by virtue of their difference. Beckett represented a theater of the absurd and Brecht a theater of political commitment, each defining the other by their incompatibilities. Only their successors began to question the dichotomies and to draw on both their legacies.
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