Whitewashing Uncle Tom's Cabin: Nineteenth-century Women Novelists Respond to Stowe
Joy Jordan-Lake examines the ways in which antebellum women novelists tried to counter Harriet Beecher Stoweís enormously popular Uncle Tom's Cabin by preaching a ìtheology of whitenessî from within the pages of the books - but were ultimately undermined by their own proslavery agendas. Including a discussion of twentieth- and twenty-first-century novels that revisit plantation mythology, Whitewashing Uncle Tom's Cabin casts new light on the ethical and moral disaster of securing one groupís economic strength at the expense of other groupsí access to dignity, compassion, and justice.
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Whitewashing Uncle Tom's Cabin: Nineteenth-century Women Novelists Respond ...
No preview available - 2005
abolitionist African American Anne Firor Scott antebellum Southern anti-Uncle Tom fiction anti-Uncle Tom novels anti-Uncle Tom women antislavery argue authority Bellmont black female black women Catherine Clinton chapter child Christ Christian contrast culture daughter defend depicts Diary from Dixie domestic Eastman Ebony Idol economic example female characters female slaves Frado gender Harley Harriet Beecher Stowe Hentz husband insists lives Mary master maternal Moreland Morrison mother-savior narrative narrator Negroes never North and South novelists novels by women oppression patriarchal Plantation Mistress plantation South planter-class women Planter's Northern Bride political portrayed privilege proslavery novels protagonist race racial role Rush Rush's Sarah Josepha Hales Schoolcraft sexual slave mother slave women slavery slavery's social society Southern white Stowe Stowe's subtext Susan Tracy theology of whiteness theopolitical Uncle Tom's Cabin wealthy white white female white male white South white Southern women white women wife Wilson Wind Done Gone woman