Who Will Kiss the Pig?: Sex Stories for Teens
For over three decades, Richard Grayson's idiosyncratic fictions have been appearing in literary magazines, anthologies and webzines, as well as in his book-length collections, including WITH HITLER IN NEW YORK, LINCOLN'S DOCTOR'S DOG, I BRAKE FOR DELMORE SCHWARTZ, I SURVIVED CARACAS TRAFFIC, THE SILICON VALLEY DIET, HIGHLY IRREGULAR STORIES and AND TO THINK THAT HE KISSED HIM ON LORIMER STREET. Now, in WHO WILL KISS THE PIG?: SEX STORIES FOR TEENS, Richard Grayson brings together twenty of his quirkiest fictions, from his first published story, "Rampant Burping," which appeared in NEW WRITERS in 1975, to such recent pieces as "This Person Is Already Your Friend," published online at 3: AM MAGAZINE in 2007. "The incessant familiarity of the writer's secret self makes his world entertaining and bizarre. The dialogue is consistently, even ingeniously funny...bright and keenly made." - The New York Times Book Review
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WHO WILL KISS THE PIG?: : Sex Stories for TeensUser Review - Jane Doe - Kirkus
A career-spanning compilation of fascinating short fiction and flash fiction from Grayson (And to Think that He Kissed Him on Lorimer Street, 2006, etc.), ranging from his first published story (1975 ... Read full review
A career-spanning compilation of fascinating short fiction and flash fiction from Grayson (And to Think that He Kissed Him on Lorimer Street, 2006, etc.), ranging from his first published story (1975’s “Rampant Burping”) to fresh work.
Rooted in post-modernism, Grayson’s economical writing style abets a natural gift for storytelling, and his tales are imbued with a comic touch—whether darkly so, or merely playful. In one example of the former, a caustic protagonist in “Those Seventies Stories” pretends to be one of a pair of twin brothers whenever he frequents area diners in order to alternately abuse and sympathize with a dull yet harmless local. The immediately preceding “The Life of Katz,” on the other hand, seems to be little more than an exercise in enumerating a litany of dog- and cat-related puns and idioms. This kind of nonchalance usually plays to Grayson’s strengths, but sometimes his tendency toward self-indulgence gets the better of him. A few stories find the author employing tics to mark his fiction as quirky—“An Appropriated Story,” for instance, uses the copyright symbol as a scene break—or using formal subversion to oversell his point, as in “Unobtrusive Methods, Inchoate Designs,” whose narrator breaks the fourth wall to deliver a brief, meta-fictional address on the nature of reality and perception that only renders the story frivolous. At his best, though, Grayson deftly explores the dilemmas of suspended youth—specifically the ache of the lovelorn, the search for purpose and the tendency to cling desperately to the familiar. To many of his characters, this means remaining perpetually in academia, earning advanced degrees while struggling to choose career paths or endlessly returning to camp as counselors late into their 20s (“Life with Libby”). In “Albertson’s Pulls Out of New Orleans,” an Idaho transplant to the Deep South is almost unreasonably obsessed with a local branch of his hometown supermarket chain, to the point of ineptly transferring his affections for the brand onto one of its cashiers.
Funny, pleasurable and often prescient short fiction that delivers many more hits than misses.