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Do fakes matter? Mark Jones
The falsification and restoration of classical antiquities
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Aachen acquired Albacini Albert Museum ancient antique armour artists Aschaffenburg authenticity Autun Bartolomeo Cavaceppi Benvenuto Cellini Bibliotheque bien British Library British Museum bronze bust Carpentras casts catalogue Cavaceppi note Cellini champleve Chatterton classical Clytie coins collection collectors colour comb contemporary copy Cupid dealers decorated Dictys drawing Dupuy early eighteenth century enamelled enamelled gold engraved evidence example exhibition fakes folio forgeries gems genuine Gerard Vaughan Greek Grimshaw Hackenbroch head helmets Howard illustrated inscription intaglio iron maiden Jenkins letter London manuscripts marble Marcy medals medieval Mercury modern Montaigu nineteenth century objects original painting Paris patina Peiresc pieces portrait Pozzo Pratt provenance Raeren Reggio Emilia Reinhold Vasters relief Renaissance reproduced restoration Roman Rome Rospigliosi Cup Royal Armouries Rubens scholars sculpture signature silver silver-gilt Spitzer spoon statue stoneware style surface Theseus tion torture vase Vasters's Venot Victoria and Albert Walpole workshop Worlitz