Worlds of Music: An Introduction to the Music of the World's Peoples, Volume 2
This shorter version of the best-selling WORLDS OF MUSIC is based on the 4th edition and provides much of the authoritative coverage of the comprehensive version in a format that's accessible to students without any background or training in music. Using the case-study approach, the text presents in-depth explorations of music of several cultures from around the world. The authors all ethnomusicologists working in their fields of expertise base their discussions of music-cultures on their own fieldwork and give students a true sense of both the music and culture that created it. General editor, Jeff Todd Titon, has written the text's opening chapter, that introduces students to ethnomusicology and relates each chapter's music heard on the accompanying CDs to the fundamentals of music in a worldwide context. The text concludes with a chapter that invites students to participate by undertaking a fieldwork research project that increases a student's understanding of music in daily life. Two CDs accompany every copy of the book on the inside back cover. The selected recordings cover a wide range of music-cultures and include authentic recordings from the authors' fieldwork. Leading off is the long-standing jewel in the Worlds of Music crown - James Koetting's magnificent recording of postal workers canceling stamps at the University of Ghana post office. A Western-sounding hymn tune performed against African rhythms, this piece, more that any other, lets the student hear contrasting music-cultures. Packaged with the text, the CDs make this book the best value available for the course.
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TheMusicCulture as a World ofMusic
AfricaEwe Mande Dagbamba
11 Agbekor 532 Traditional music of the Ewe people Field recording by David Locke AnloAﬁadenyigba
Shona Mbira Music
Performed by Leonard Baby Doo Caston AH210 Used by permission 181
Other editions - View all
Worlds of Music: An Introduction to the Music of the World's Peoples, Volume 1
Jeff Todd Titon,Linda Fujie
No preview available - 2005
accompaniment African American Afro-Peruvian Agbekor American music Andean audience Bali Balinese beats blues Carnatic music century ceremony Chapter classical music Close Listening CD concert Counter Number Commentary culture dance drum drummer Ecuadorian ensemble ethnic Ethnomusicology example festivals ﬁeld ﬁeldwork Figure ﬁnd ﬁngers ﬁrst ﬁve ﬂexibility ﬂute gendhing genre gong guitar harp hear improvisation Indian Indonesia inﬂuence instruments Japan Japanese music Java jazz kaganu karaoke kenong kriti Latin American music Leader Lucas main melody major phrase mbira mridangam music-culture musical performance musicians Muyu muyari Native American Native American Church Navajo Navajo music Nueva Canción Ondekoza pattern pélog percussion piece pitch play player popular music puppeteer Quichua raga recording reﬂect repeats repertory rhythm rhythmic sanjuán scale shakuhachi shamisen Shona singers singing sléndro social song sound South speciﬁc stanza style sung Sway songs taiko tala tones Track traditional music tune Univ verse vocal voice wayno Western