Writing through Music: Essays on Music, Culture, and Politics

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Oxford University Press, Dec 12, 2007 - Music - 528 pages
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Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holmes, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Here, Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.
 

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Contents

Introduction
3
Part I TIME NARRATIVE AND MEMORY
23
Part II SELFFASHIONING
99
Part III IDENTITY AND NATION
179
Part IV PATRONS AND PATRONAGE
283
Part V THE EVERYDAY LIFE OF THE PAST
363
Appendices
451
Index
491
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About the author (2007)

Jann Pasler, music scholar, documentary filmmaker, and pianist, is Professor of music at the University of California, San Diego where she founded the graduate program, Critical Studies and Experimental Practices (CSEP). She has published widely on French music, contemporary American music, modernism, and postmodernism. She recently completed Music as Public Utility, the first volume of her trilogy, Useful Music, or Why Music Mattered in Third Republic France forthcoming from University of California Press, and is currently working on Music, Race, and Colonialism in Fin-de-si?cle France.

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