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THE INSIDERS OUTSIDERS PARADIGM
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analysis Aoki bamboo blowing edge Buddhist cadential formula century Chikuho comparison context discussed e-flat Edo period elements example figure final phrase flute formal divisions FR versions Fuke sect Futaiken reibo gagaku genealogy chart groups of pieces Gutzwiller honkvoku performance honkvoku tradition Inoue insiders instrument Iwamoto Japan Jin and Sakai Jin-Sakai Jin's Kamisango Kinko Kinko rvfl komuso Konashi lineage chart lines of transmission mance material melodic formulae meri method notes occur oral Oshu pattern perform honkyoku piece Reibo pitch playing priest process of performing recordings repertoire Sakai sh i rabe shaku shakuhach i honkvoku shakuhach i players shakuhach i tradition Shodo Shoganken reibo Shosoin similarities and differences sion sound staff notation standard student Takahashi takane teacher technique temple thesis timbre tion Tozan traditional scores transmitted Tukitani Uramoto and Jin Uramoto and Watazumi variation Watazumi's version written Yamaue Yokoyama Yokoyama Katsuya Zen Buddhism