Zaragoza

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Ediciones Colihue SRL, 1984 - Fiction - 228 pages
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Contents

Qué nos proponemos?
7
Un marco histórico para Zaragoza
23
Existe una concepción numerológica de Zaragoza?
30
La sociedad zaragozana
37
Palafox un caudillo?
44
El mundo de los sueños
51
Zaragoza símbolo de la unidad nacional
59
Capítulo II
65
Capítu XVI
132
Capítu XVII
138
Capítu XVIII
141
Capítu XIX
147
Capítu XX
152
Capítu XXI
155
Capítu XXII
161
Capítu XXIII
165

Capítulo III
71
Capítulo V
78
Capítulo VI
84
Capítulo VIII
93
Capítu IX
97
Capítu X
103
Capítu XI
107
Capítu XII
110
Capítu XIII
118
Capítu XIV
121
Capítu XV
125
Capítu XXIV
169
Capítu XXV
173
Capítu XXVI
181
Capítu XXVII
187
Capítu XXVIII
191
Capítu XXIX
196
Capítu XXX
205
Capítu XXXI
208
PROPUESTAS DE TRABAJO
213
BIBLIOGRAFÍA FUNDAMENTAL SOBRE LA OBRA Y EL AUTOR
221
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About the author (1984)

Perez Galdos was Spain's outstanding nineteenth-century novelist. At a time when most Spanish novelists were limited by their regional backgrounds, Galdos possessed the intellect and vision to embrace the Spanish people as a nation. In 1873 he began the Episodios nacionales (National Episodes), a 46--volume series of historical novels in which he was concerned less with details and facts of history than with their impact on the lives of ordinary people. His works are sometimes divided into two periods: novels of the first period and contemporary Spanish novels. His early novels, Dona Perfecta (1876), Gloria (1877), Marianela (1878), and The Family of Leon Roch (1879), may be characterized as realistic with touches of romanticism. The novels are united by common characters and themes in the manner of Balzac's Human Comedy. Dona Perfecta is a denunciation of intolerance. Marianela explores the irony and tragedy of the destruction of love by scientific progress. Fortunata and Jacinta (1886-87), a four-volume masterpiece of the second period, contrasts two women - Jacinta, wife of the wealthy middle-class Juanito Santa Cruz, and Fortunata, his mistress. Both are admirable characters, but it is Fortunata who bears a son, demonstrating the vitality of the lower classes. The character of Maxi reveals Galdos's interest in mental illness and his naturalistic strain. Born and educated in the Canary Islands, Perez Galdos studied law briefly and spent most of his adult life in Madrid. His study of lower-class Spanish life and his attempts to improve it led him to the advocacy of more equal distribution of wealth and outspoken opposition to the Catholic church. While always popular with the people, he fared less well in literary circles. In 1889 he sought admission to the Royal Academy, an honor he was refused until 1897, and the Nobel Prize went to a contemporary, Jose Echegaray, a writer of considerably less talent. Galdos died poor and blind. Although the government refused him a state funeral, the entire Spanish nation mourned him. English translations of his novels now out of print are The Disinherited Lady (1881), Miau (1888), Compassion (1897), and Tristana.

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