in Search of A Voice: Karaoke and the Construction of Identity in Chinese America
Originating in Japan early in the 1970s as a simple sing-along technology, karaoke has become a hybrid media form designed to integrate mass-mediated popular music, video images, computer graphics, and the live musical performance of its human users. Not only has karaoke become a multimillion-dollar entertainment industry, its varied uses have also evolved into diverse popular cultural and social practices among many people around the world. Based on a two-year ethnographic study, this book offers a penetrating analysis of how karaoke is used in the expression, maintenance, and (re)construction of social identity as part of the Chinese American experience. It also explores the theoretical implications of interaction between the media audience and karaoke as both an electronic communication technology and a cultural practice.
This book analyzes the social origins of karaoke and the dramaturgical characteristics of karaoke events, and explains how various musical genres are reframed as karaoke music. It also visits the numerous karaoke scenes in their natural context -- the sites of the actual consumption of media products, such as expensive private homes and fancy hotel ballrooms in the affluent suburbs of New Jersey, working-class restaurants and nightclubs in the multiethnic neighborhoods in Flushing, Queens, and Cantonese opera music clubs in New York's Chinatown. Finally, the book offers an intimate analysis of how karaoke has been adopted by several interpretive communities of first-generation Chinese immigrants not only as popular entertainment but also as a means to help (re)define their social identity and way of life.
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1 Understanding Karaoke as Communication
The Formation and Mediation of the Diaspora
The Voice of a Hong Kong Cantonese Community in New Yorks Chinatown
The Voice of a Taiwanese Community in the Affluent Suburbs of New Jersy
The Voice of a Malaysian Chinese Community in Flushing New York
6 Karaoke and the Construction of Identity
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1965 Immigration Act Ah Dong Ah Maa Ah Ting analysis analyzed Asian audience area background bongwong Calvin Cantonese opera songs chapter Chinese American immigrants Chinese immigrants Chung Chung’s karaoke club members compatriots construction context cultural practice deﬁne disc jockey dramaturgical economic engage karaoke enka entertainment ethnic everyday ﬁnal ﬁnd ﬁrst ﬁrst-generation Chinese Flushing friends gender guests Hong Kong inﬂuence Japanese Jersey John’s karaoke ballroom karaoke events karaoke experiences karaoke machine karaoke music karaoke participants karaoke parties karaoke scenes karaoke singing karaoke system karaoke yutkuk laoshih laserdisc Maa’s mahjongg Malaysia Malaysian Chinese Mandarin mass media media ecology Mid-Autumn Festival musicians nity ohn’s one’s overseas Chinese people’s performance play popular private karaoke clubs reﬂect restaurant role sang signiﬁcance silent participants sing karaoke singers siukuk social and cultural speciﬁc stage area suggested symbolic Taiwan Taiwanese three interpretive communities United voice yamngok York City York’s Chinatown Yung