Klezmer!: Jewish Music from Old World to Our WorldIn his quest to trace the roots of klezmer, the traditional instrumental music of Yiddish-speaking Jews, author Henry Sapoznik tells a fascinating story of survival against all odds, of a musical legacy so potent it can still be heard. This expanded second edition also includes a CD of klezmer music from Dave Tarras, Andy Statman, Naftule Brandwein, The Klezmatics, and others. |
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Page 19
Nigunim range from the middle tempo hisvadus (assemblage) to Hasidic
versions of the boisterous freylekh. There are also trerediker (crying) tunes, with
their somber and ample use of krekhts, the break in the voice. Unlike in non-
Hasidic ...
Nigunim range from the middle tempo hisvadus (assemblage) to Hasidic
versions of the boisterous freylekh. There are also trerediker (crying) tunes, with
their somber and ample use of krekhts, the break in the voice. Unlike in non-
Hasidic ...
Page 154
Hasidic music back in Europe, no commercial recordings had ever been made.
That changed in America. Benedict Stambler, an Orthodox schoolteacher,
founded the Collector's Guild label, which was dedicated to reissuing classic
Jewish folk ...
Hasidic music back in Europe, no commercial recordings had ever been made.
That changed in America. Benedict Stambler, an Orthodox schoolteacher,
founded the Collector's Guild label, which was dedicated to reissuing classic
Jewish folk ...
Page 291
... 269 "Harmonika," 155 Harrigan and Hart, 32 Harris, Charles K., 34—35 Harry
Kandel's Famous Inlet Orchestra, 92 "Hashkeveynu," 62 Hasidic- American Jazz
Band, 107, 182-84 Hasidic music, 94, 154, 156, 185-86, 273 Hasidim, 2-3, 18-20,
...
... 269 "Harmonika," 155 Harrigan and Hart, 32 Harris, Charles K., 34—35 Harry
Kandel's Famous Inlet Orchestra, 92 "Hashkeveynu," 62 Hasidic- American Jazz
Band, 107, 182-84 Hasidic music, 94, 154, 156, 185-86, 273 Hasidim, 2-3, 18-20,
...
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Klezmer!: Jewish music from Old World to our world
User Review - Not Available - Book VerdictScholar and musician Sapoznik (The Complete Klezmer) gives us the first complete history of the Jewish band music known as klezmer. Beginning in early 19th-century Poland--with a profile of Michael ... Read full review
Contents
In the Beginning | 1 |
Lebn Zol Columbus | 31 |
The Golden Age of Yiddish Popular Music | 67 |
Copyright | |
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Abe Ellstein Abe Schwartz American audience badkhn bar mitzvah began Berlin Brooklyn bulgar called cantor catalog Cherniavsky clarinet clarinetist classical Columbia composer concert Conservatory Dave Tarras discs Ellstein emigre ensemble Epstein ethnic Europe European father featured festival fiddle fiddler film freylekhs Gershwin Goldfaden Graetz Grupp Gusikov Hasidic Hasidim Hebrew Helfenbein instrument Israeli jazz Jewish music Jewish musicians Jews Joseph Kandel Kapelye KlezKamp Klezmatics Klezmer Band klezmer music klezmer musicians klezmorim label Lebedeff Leess Lower East Side Max Epstein melody Molly Picon Musiker Naftule Brandwein non-Jewish old-time old-time music Olshanetsky orchestra Patinkin performers piano Picon played players popular repertoire Rovne Rumshinsky Russian Secunda Sholom Secunda Sid Beckerman singer singing Sokolow sound star Statman studio style synagogue Thomashefsky traditional trumpet tunes vaudeville violin wanted wedding WEVD Yente Yiddish culture Yiddish music Yiddish radio Yiddish songs Yiddish theater YIVO York young Zeyde