Klezmer!: Jewish Music from Old World to Our WorldThis is a story of survival against all odds, of a musical legacy so potent it can still be heard, despite assimilation and near annihilation. The scratchy, distant sound of early recordings bursts forth with such power that they have formed the soundtrack for an entirely new generation of performers, Jew and non-Jew alike, who have embraced and expanded the klezmer tradition. Through stories, pictures, and a companion CD, this book introduces this most vital musical form to new and old fans alike. |
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Page 59
... ensembles that had primarily been melodic . The piano is played more for its percussive than harmonic properties , with ... ensemble recordings issued were Belf's and a couple of other , more generically titled ensembles . Yet , of the ...
... ensembles that had primarily been melodic . The piano is played more for its percussive than harmonic properties , with ... ensemble recordings issued were Belf's and a couple of other , more generically titled ensembles . Yet , of the ...
Page 86
... Ensemble As the quality and quantity of performers in the cantorial and popular sections of the Jewish catalogs increased , labels began to fill out their instrumental sections . Israel J. Hochman , one of the earliest Yiddish song ...
... Ensemble As the quality and quantity of performers in the cantorial and popular sections of the Jewish catalogs increased , labels began to fill out their instrumental sections . Israel J. Hochman , one of the earliest Yiddish song ...
Page 107
... ensemble Joseph Cherniavsky's Yiddish - American Jazz Band ( “ Kale Bazetzns un a Freylekhs " [ Seating of the Bride and a Happy Tune ] , Track 9 ) , also called the Hasidic - American Jazz Band , and even the Oriental- American ...
... ensemble Joseph Cherniavsky's Yiddish - American Jazz Band ( “ Kale Bazetzns un a Freylekhs " [ Seating of the Bride and a Happy Tune ] , Track 9 ) , also called the Hasidic - American Jazz Band , and even the Oriental- American ...
Contents
In the Beginning | 1 |
Lebn Zol Columbus | 31 |
The Rise of Yiddish Popular Culture | 39 |
Copyright | |
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Abe Ellstein Abe Schwartz American audience badkhn bar mitzvah began Beregovski Berlin Brooklyn bulgar called Cantor catalog Cherniavsky clarinet clarinetist classical Columbia composer concert Conservatory Dave Tarras discs doina Ellstein ensemble Epstein ethnic Europe European father featured festival fiddle fiddler film freylekhs Gershwin Goldfaden Grine Grupp Gusikov Hasidic Hasidim Hebrew Helfenbein instrument Israeli jazz Jewish music Jewish musicians Jews Joseph Kandel Kapelye KlezKamp Klezmatics Klezmer Band klezmer music klezmer musicians klezmorim label Lebedeff Leess Lower East Side Max Epstein melody Molly Picon Musiker Naftule Brandwein non-Jewish old-time old-time music Olshanetsky orchestra Patinkin performers piano Picon played players popular repertoire Rovne Rumshinsky Russian Secunda Sholom Secunda Sid Beckerman singer singing Sokolow sound star Statman studio style synagogue Thomashefsky traditional tunes vaudeville Victor violin wanted wedding WEVD Yente Yiddish culture Yiddish music Yiddish radio Yiddish songs Yiddish theater YIVO York young Zeyde