Body and Soul: The Cinematic Vision of Robert Aldrich
Body and Soul explores the work of Robert Aldrich, a producer and director responsible for several notable films, including The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, The Longest Yard and Whatever Happened to Baby Jane? Author Tony Williams examines the relationship of Aldrich's films to the Cultural Front movement of the 1930s as well as to the blacklist of the 1950s. He also delineates Aldrich's attempts to follow the progressive ideals of such mentors as Jean Renoir, Lewis Milestone, and Charlie Chaplin. From the noir classic Kiss Me Deadly to the controversial thriller Twilight's Last Gleaming, Body and Soul focuses on the dilemmas both personal and political that affect individuals in all of Aldrich's films."
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Page 27 - No! There is more to life than this! Everything he said is true, but there is more. That was the past, but there is a future. Now we know. We dare to understand. Truly, truly, the past was a dream. But this is real! To know from this that something must be done. That is real. We searched; we were confused! But we searched, and now the search is ended. For the truth has found us. For the first time in our lives — for the first time our house has a real foundation. Clara, those people outside are...
Page 27 - Yes, I want to see that new world. I want to kiss all those future men and women. What is this talk of bankrupts, failures, hatred . . . they won't know what that means. Oh, yes, I tell you the whole world is for men to possess. Heartbreak and terror are not the heritage of mankind! The world is beautiful.
Page 16 - Michael Denning, The Cultural Front: The Laboring of American Culture in the Twentieth Century (New York: Verso, 1997). 3. Fritz Machlup, The Production and Distribution of Knowledge in the United States...
Page 34 - GEORGIE, drops her hand and steps back a little, carefully picking her way: No. Because neither of us has really changed. And yet I'm sure that both our lives are at some sort of turning point. There's some real new element of hope here— I don't know what. But I'm uncertain . . . and you, Frank, have to be strong enough to bear that uncertainty. FRANK, hushed: I think I know what you mean. Larry looks in just long enough to say, "We're waiting, Frank.