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Literary Criticism from the Elizabethan Dramatists Repertory and Synthesis
No preview available - 2010
action actor ancient Aristotle attitude audience Beaumont and Fletcher Ben Jonson bethan Chapman classical comedy comic Cordatus criticism Cynth Damon and Pythias Dedication Dekker delight Disc doth Doubtful Heir Elizabethan drama Elizabethan dramatists English drama Epil epilog expressed fact function groundlings hath Heywood Humor Ibid idea imagination Induction interlude Jonson judgment labor laws literary Love's Labor's Lost Magnetic Lady Maid's Tragedy Marston Massinger matter ment Middleton mind mirth Mitis nature never opinion passage persons play playwrights pleasure plot poem poesy poet poetic poetry popular practise present Prol prolog question quotation quoted reader ridiculous rime romantic satire scene Sejanus Shakspere Shakspere's Shirley speak speech Spingarn spirit stage Tamburlaine theater theme theory Theseus things Thomas Heywood thou thought Timon of Athens tion to-day topic tragedy true truth unity utterances verse virtue write
Page 44 - The lunatic, the lover, and the poet Are of Imagination all compact. One sees more devils than vast hell can hold; That is, the madman. The lover, all as frantic, Sees Helen's beauty in a brow of Egypt. The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as Imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name.
Page 47 - So great an object; can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work.
Page 61 - ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one must in your allowance o'erweigh a whole theatre of others.
Page 49 - The crow doth sing as sweetly as the lark When neither is attended, and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Page 43 - You are rapt, sir, in some work, some dedication To the great lord. Poet. A thing slipp'd idly from me. Our poesy is as a gum, which oozes • From whence 'tis nourished : The fire i...
Page 99 - That the argument of his comedy might have been of some other nature, as of a duke to be in love with a countess, and that countess to be in love with the duke's son, and the son to love the lady's waitingmaid ; some such cross wooing, with a clown to their servingman, better than to be thus near, and familiarly allied to the time.
Page 98 - But deeds and language such as men do use, And persons such as Comedy would choose, When she would show an image of the times. And sport with human follies, not with crimes; Except we make 'em such, by loving still Our popular errors, when we know they're ill.
Page 100 - ... to imitate justice, and instruct to life, as well as purity of language, or stir up gentle affections; to which I shall take the occasion elsewhere to speak.
Page 97 - I shall raise the despised head of poetry again, and stripping her out of those rotten and base rags wherewith the times have adulterated her form, restore her to her primitive habit, feature, and majesty, and render her worthy to be embraced and kist of all the great and master-spirits of our world.
Page 20 - From jigging veins of rhyming mother wits, And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms, And scourging kingdoms with his conquering sword.