The Social History of Art, Volume 2 |
Contents
ROCOCO CLASSICISM AND ROMANTICISM | 501 |
THE NEW READING PUBLIC page | 534 |
THE ORIGINS OF DOMESTIC DRAMA page | 577 |
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Common terms and phrases
absolutely aesthetic aestheticism already aristocracy artistic attitude Balzac baroque becomes beginning bourgeois bourgeoisie character classicism classicistic conception conflict conservatism court criticism culture Delacroix described Dostoevsky drama economic eighteenth century elements enlightenment Eugène Sue everything existence experience expression fact feeling fight film Flaubert France freedom French genre George Eliot German Goethe hand hero historical human idea ideal impressionism impressionistic individual influence intellectual intelligentsia July monarchy l'art pour l'art less liberalism literary literature longer means ment merely middle class modern moral motifs naturalistic nature never nineteenth century nobility novel outlook painting pastoral period philosophy play poet poetry political popular pre-romanticism principle problems production progressive psychological purely rationalism reality regarded relationship Renaissance represents Revolution revolutionary rococo romantic movement romanticism Rousseau Second Empire sense Slavophils social society spiritual spite Stendhal struggle style taste tendencies theatre tion Tolstoy tragedy trend Voltaire whole writers