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ancient ancient Egypt arcade arch archi architect architectural proportion art of architecture artist Beautiful Necessity body building cathedral of Tours chord circle Classic architecture color column complexity composition consciousness cornice correlations corresponding curved Diversity in Monotony division Doric echoed Egypt Egyptian elements entablature equal and regular equilateral triangle expression facade fact feminine FRIEZE geometrical Gothic architecture Gothic cathedral Greek groups hand harmony height horizontal human figure idea Illus Illustration Ionic IONIC ORDERS law of Balance law of Consonance law of Diversity law of Polarity leaf Leonardo da Vinci lines lintel major third manifestation masculine means metopes minor sixth music and architecture mystic nature octave ornament painting PALACE PALAZZO Parthenon perfect plane RADIATION relation repetition Rhythmic Change Roman Rome sculpture sense space spiral square style symbol tecture temple theosophy things threefold tion tower tracery tration tree truth unity universal vault vertical vesica piscis
Page 50 - There is but one Temple in the World ; and that is the Body of Man. Nothing is holier than this high form. Bending before men is a reverence done to this Revelation in the Flesh. We touch Heaven, when we lay our hand on a human body...
Page 35 - Three is preeminently the number of architecture, because it is the number of our space, which is three-dimensional, and, of all the arts, architecture is most concerned with the expression of spatial relations. The division of a composition into three related parts is so universal that it would seem to be the result of an instinctive action of the human mind.
Page 23 - No doubt is now entertained that beauty is subject to laws and rules dependent on the nature of human intelligence. The difficulty consists in the fact that these laws and rules, on whose fulfilment beauty depends and by which it must be judged, are not consciously present to the mind, either of the artist who creates the work, or the observer who contemplates it.
Page 60 - ... to submit the freest play of form to simple figures of geometry in grouping, were among the objects he most earnestly pursued. At the same time his deep feeling for all things that have life, gave him new power in the delineation of external nature. The branching of flower-stems, the outlines of fig-leaves, the attitudes of beasts and birds in motion, the arching of the fan-palm...
Page 23 - Necessity which rules the world, which is a law of nature and equally a law of art, for art is idealized creation: nature carried to a higher power by reason of its passage through a human consciousness. Thought and emotion tend to crystallize into forms of beauty as inevitably as does the frost on a window pane. Art, therefore, in one of its aspects is the weaving of a pattern, the communication of an order and a method to the material or medium employed.
Page 10 - They specially called attention to the fact that polarity, that is, the sundering of a force into two qualitatively different and opposed activities striving after reunion, which also shows itself for the most part in space as a dispersion in opposite directions, is a fundamental type of almost all the phenomena of nature, from the magnet and the crystal to man himself.
Page 35 - ... it would seem to be the result of an instinctive action of the human mind. The twin pylons of an Egyptian temple with its entrance between, for a third division, has its correspondence in the two towers of a Gothic cathedral and the intervening screen wall of the nave ... The architectural 'orders' are divided threefold into pedestal or stylobate, column and entablature; and each of these is again divided threefold: the first into plinth, die and cornice; the second into base, shaft and capital;...
Page 23 - ... the bird and the bee) has "followed the rules without knowing them." Helmholtz says, "No doubt is now entertained that beauty is subject to laws and rules dependent on the nature of human intelligence. The difficulty consists in the fact that these laws and rules, on whose fulfilment beauty depends, are not consciously present in the mind of the artist who creates the work, or of the observer who contemplates it.
Page 22 - There is a Beautiful Necessity which rules the world, which is a law of nature and equally a law of art, for art is idealized creation: nature carried to a higher power by reason of its passage through a human consciousness.
Page 16 - Ariel11 — human, at all events. The peculiar genius of any given race or any given period incarnates, as it were, in some architectural construction characteristic, and therefore symbolical of it. The iron hand of Roman sovereignty encased within the silken glove of Roman luxury, found its prototype in buildings which were stupendous, crude, brute masses of brick and concrete, encased in coverings of rich marbles and mosaics. The "sad sincerity...