Cleo de 5 a 7

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British Film Institute, Jul 15, 2008 - Performing Arts - 119 pages
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Cléo de 5 à 7, Agnes Varda’s classic work of 1962 depicts, in near real time, ninety minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition.  The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinéma group of critics turned filmmakers. 

Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda’s early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo’s health concerns and ambitions to become a pop singer make her more or less oblivious.  His study is the first to set a reading of Cléo’s formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.

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The pregnant gaze

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About the author (2008)

Steven Ungar is Professor of French and Comparative Literature at the University of Iowa.

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