Uncanny Spectacle: The Public Career of the Young John Singer Sargent

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Yale University Press, 1997 - Art - 192 pages
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This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of Sargent's early maturity - some not exhibited in this century and others among his best-known work, including Carnation, Lily, Lily, Rose and Madame X. The authors contend the canvases present a fresh view of Sargent's aspirations and ambitions, representing a metaphoric self-portrait of the artist as a young man. The early paintings, their relationship to one another, and their reception also shed light on the complex, cosmopolitan art world in which Sargent lived.
 

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Uncanny spectacle: the public career of the young John Singer Sargent

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Sargent's star is in the ascendancy this year, with a new catalog of the complete paintings soon expected from Yale. In the meantime, this exquisite catalog of 35 paintings chronicles the precocity ... Read full review

Contents

Sargent and CarolusDuran
28
Catalogue
59
Searching and Experimentation
75
Crispation de Nerfi 18801887
123
Notes
157
I86 Index
186
Photographic Credits
192
Copyright

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About the author (1997)

Marc Simpson is associate director of the graduate program in art history and lecturer on American art at Williams College.

Richard Ormond is an independent art historian.

Weinberg is the Alice Pratt Brown Curator, department of American paintings and sculpture at The Metropolitan Museum of Art.

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