Cubism: A History and an Analysis, 1907-1914 |
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Page 57
... Negro sculpture , the first impression that Picasso carried away with him must have been of a very general , rather ... Negro culture more thoroughly to Western art . Negro sculpture and the painting of Cézanne , both of which were used ...
... Negro sculpture , the first impression that Picasso carried away with him must have been of a very general , rather ... Negro culture more thoroughly to Western art . Negro sculpture and the painting of Cézanne , both of which were used ...
Page 58
... art . Picasso rapidly became familiar with a wide range of Negro sculpture , and in the years immediately following his discovery of it amassed a large collection of his own.1 Gomez de la Serna remembers that Picasso's studio in the ...
... art . Picasso rapidly became familiar with a wide range of Negro sculpture , and in the years immediately following his discovery of it amassed a large collection of his own.1 Gomez de la Serna remembers that Picasso's studio in the ...
Page 59
... Negro sculpture as by the peculiarities of the individual pieces he owned or saw . Salmon quotes Picasso as saying that he admired Negro sculptures because he found them ' raisonnables'.2 In stressing the more ' reasonable ' or rational ...
... Negro sculpture as by the peculiarities of the individual pieces he owned or saw . Salmon quotes Picasso as saying that he admired Negro sculptures because he found them ' raisonnables'.2 In stressing the more ' reasonable ' or rational ...
Contents
INTRODUCTION page | 15 |
PICASSO AND BRAQUE 190712 | 47 |
PICASSO BRAQUE AND GRIS 191214 | 96 |
Copyright | |
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abstract aesthetic Apollinaire appearance artists Baigneuses Bateau Lavoir Braque's paintings Cadaquès canvas Catalogue Céret Cézanne's collage colour composition contemporary couleur Cubism of Picasso Cubist painting decorative Delaunay Delaunay's Demoiselles Derain Duchamp Duchamp-Villon early elements executed exhibition Fauconnier Fauves Fauvism figure Fresnaye Futurists Galerie Gertrude Stein Gil Blas Gleizes Guggenheim Museum Guitar head Horta influence of Cézanne intellectual Jacques Villon Jeune Juan Gris Kahnweiler kind of painting l'Art L'Intransigeant landscapes Léger Lhote Louise and Walter Marcel Duchamp March Matisse Metzinger Modern Art movement Museum of Art Museum of Modern Negro art Negro sculpture Nude objects Orphism painters papier collé Paris Paris Journal Peinture perspective Philadelphia Museum Picabia Picasso and Braque pictorial picture plane picture surface Portrait Private Collection purely Salon d'Automne Salon des Indépendants Section d'Or seen sense shapes solid forms still-lifes style technique traditional Vauxcelles Violin Walter Arensberg Walter Arensberg Collection York