Thomas Hardy's Jude the ObscureA collection of eight critical essays on Thomas Hardy's last major novel, arranged in chronological order of publication. |
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Page 11
... achieved relationship when she returns to Phillotson , who himself betrays by his final surrender to selfishness and repressiveness the altruism and open - mindedness he had originally shown in letting Sue go . Jude's most serious ...
... achieved relationship when she returns to Phillotson , who himself betrays by his final surrender to selfishness and repressiveness the altruism and open - mindedness he had originally shown in letting Sue go . Jude's most serious ...
Page 64
... achieved only by painfully appropriating the very culture which denies and rejects him as a man . It is a contradiction in his relation with Christminster which is focused most sharply in the issue of work— central interest of Hardy's ...
... achieved only by painfully appropriating the very culture which denies and rejects him as a man . It is a contradiction in his relation with Christminster which is focused most sharply in the issue of work— central interest of Hardy's ...
Page 135
... achieve nowhere — not in thought or feeling , not in the discourse of culture or the ground of nature - a form for its em- bodiment . Chronology 1840 1848 1849 1855 1856 ca. 1860 1862 1863 " The Spirit Unappeased and Peregrine " / 135.
... achieve nowhere — not in thought or feeling , not in the discourse of culture or the ground of nature - a form for its em- bodiment . Chronology 1840 1848 1849 1855 1856 ca. 1860 1862 1863 " The Spirit Unappeased and Peregrine " / 135.
Contents
The Journey beyond Myth in Jude the Obscure | 19 |
Jude the Obscure | 37 |
The Limits of Art | 61 |
Copyright | |
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Common terms and phrases
actual Arabella attempt Aunt Drusilla become begins Bridehead called characters chiasmus Christ Christminster civil coherence consciousness contrast conventional criticism culture D. H. Lawrence D'Urbervilles desire discourse experience express fact Father feeling feminist fiction figure freedom Gosse Greek Hardy's novels human Ian Gregor ideal illusion individual instinct intellectual irony J. I. M. Stewart J. S. Mill Jude the Obscure Jude's dreams language later law of transmutation Lawrence live marriage marry Marygreen Mayor of Casterbridge meaning Melchester metaphor Michael Millgate Millgate mind minster modern moral moves myth mythic narrative narrator never novel novelist passion pattern perception Phillotson postmythic precisely published reader reading rejection relation relationship represented says scene sense sexual Shaston social spirit story structure Studies Sue's suggest Terry Eagleton Tess things Thomas Hardy tragedy tragic truth turns Victorian vision Wessex woman women words