 ... head, but which we see, standing in front of the picture. Above, Mary and her Child are in a cloud, radiant with joy, and surrounded by angels, who have woven many garlands ; the Holy Child holds one of these, and seems as if about to crown the saints...  Bradshaw's illustrated hand-book to Italy - Page 182by George Bradshaw - 1865Full view - About this book
 | Felix Mendelssohn-Bartholdy, Paul Mendelssohn-Bartholdy - Composers - 1862 - 380 pages
...one of these, and seems as if about to crown the saints beneath, but his Mother withholds his hand for the moment. The contrast between the pain and...Holy Spirit, from whom emanates a bright streaming A PAINTING BY TITIAN. 81 light, thus forming the apex of the whole composition. I have just remembered... | |
 | Augustus John Cuthbert Hare - Rome (Italy) - 1871 - 482 pages
...one of these, and seems as if about to crown the saints beneath, but his Mother withholds his hand for the moment (?}. The contrast between the pain...St. Sebastian looks forth out of the picture with gloom and almost apathy, and the lofty unalloyed exultation in the clouds above, where crowns and palms... | |
 | Augustus John Cuthbert Hare - Albano (Italy) - 1900 - 380 pages
...one of these, and seems as if about to crown the saints beneath, but His Mother withholds His hand for the moment (?). The contrast between the pain and suffering below, whence S. Sebastian looks forth out of the picture with gloom and almost apathy, and the lofty unalloyed exultation... | |
 | Esther Singleton - Art - 1911 - 592 pages
...saints beneath, but his Mother withholds his hand for the moment. The contrast between the pain and the suffering below, whence St. Sebastian looks forth out of the picture with gloom and almost apathy, and the lofty unalloyed exaltation in the clouds above, where crowns and palms... | |
 | Augustus J. C. Hare - Transportation - 2005 - 517 pages
...holds one of these, and seems as if about to crown the saints beneath, but his Mother withholds Ms hand for the moment (?), The contrast between the pain and suffering below, whence S. Sebastian looks forth out of the picture with gloom and almost apathy, and the lofty unalloyed exaltation... | |
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