Driving visions: exploring the road movie

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University of Texas Press, Jul 15, 2002 - Performing Arts - 322 pages
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From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.

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Driving visions: exploring the road movie

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In 1934, audiences swooned when reporter Clark Gable and heiress Claudette Colbert bickered and then fell in love on a cross-country bus trip in It Happened One Night, an early American road trip ... Read full review



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About the author (2002)

DAVID LADERMAN is Professor of Film at the College of San Mateo in California. He is the author of Driving Visions: Exploring the Road Movie and was featured in the IFC documentary Wanderlust.

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