Art: The Renaissance, the Baroque, the modern world |
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Contents
PROLOGUE | 9 |
The 5 High Renaissance and Mannerism | 70 |
The High Renaissance in Florence | 117 |
Copyright | |
9 other sections not shown
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Common terms and phrases
Abstract Abstract Expressionism Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue Boucicaut Master brilliant bronze Brunelleschi building Caravaggio Cathedral ceiling central Cezanne Chapel Christ church Classical clouds color colorplate columns composition contemporary Cubist death decoration dome Donatello early effect Eyck facade fifteenth century figures Florence Florentine foreground France French fresco Gallery Giovanni Gothic Greek High Renaissance Impressionist Ingres interior Italian Italy Jan van Eyck landscape later Leonardo light Limbourg brothers Louis Louvre Madonna Mannerist marble Masaccio masses master Matisse Medici Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective Picasso picture pilasters planes portrait poses Raphael Rococo Roman Rome Rubens Salon scene sculpture seen seventeenth shapes shows space structure style surface symbol tion Titian towers tradition ture vault Venetian Venice Virgin wall York
Bibliographic information
| Title | Art: The Renaissance, the Baroque, the modern world Volume 2 of Art: A History of Painting, Sculpture, and Architecture, Frederick Hartt |
| Author | Frederick Hartt |
| Publisher | H. N. Abrams, 1976 |
| Original from | the University of Michigan |
| Digitized | Nov 17, 2009 |
| ISBN | 0810902648, 9780810902640 |
| Length | 527 pages |
| Export Citation | BiBTeX EndNote RefMan |