Varieties of Visual Experience |
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Page 52
... problem of explaining the fundamental concepts of good and evil , sin and expiation , so revolutionary artists ... problems radically different from those of a feudal , agrari- an society . Problems associated with the modern ...
... problem of explaining the fundamental concepts of good and evil , sin and expiation , so revolutionary artists ... problems radically different from those of a feudal , agrari- an society . Problems associated with the modern ...
Page 69
... PROBLEMS OF COMMUNICATION What are the problems of information design which the artist must solve ? First is the matter of arresting the attention of the public . This is a problem for all effective communication . Its challenge varies ...
... PROBLEMS OF COMMUNICATION What are the problems of information design which the artist must solve ? First is the matter of arresting the attention of the public . This is a problem for all effective communication . Its challenge varies ...
Page 70
... problem which is often more significant than the verbal - literary problems of communication de- sign . Increasingly , our learning about values and attitudes takes place through nonverbal media . Accordingly , new problems are faced by ...
... problem which is often more significant than the verbal - literary problems of communication de- sign . Increasingly , our learning about values and attitudes takes place through nonverbal media . Accordingly , new problems are faced by ...
Contents
PREFACE AND ACKNOWLEDGMENTS | 11 |
PART TWO The Styles of | 127 |
Emotion Generated by Symbols | 181 |
Copyright | |
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abstract aesthetic Albright-Knox Art Gallery ANTONI GAUDÍ appear arch architects architecture art criticism Art Nouveau art object artist Bauhaus born building canvas classical Collection color concrete construction contemporary Corbusier create Cubism culture Detail devices dome EDVARD MUNCH EERO SAARINEN effect elements emotion employed engineering EUGÈNE DELACROIX executed experience expression feelings figure film formal forms FRANK LLOYD WRIGHT function Gallery geometric Hence human idea imagery industrial interest interior JEAN ARP Klee Le Corbusier light living machine masonry materials meaning ment metal Modern Art motion Museum of Art Museum of Modern organization PABLO PICASSO painterly painters painting Paul Klee Photograph physical pictorial picture plastic Pop art problems psychological qualities reality result sculp sculpture seems shape social space steel stone structural style surface symbol technical technique television texture theme tion tradition truss ture viewer visual wall weight wood York