Pop Music, Pop Culture

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Polity, Jun 13, 2011 - Music - 237 pages
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What is happening to pop music and pop culture? Synthesizers, samplers and MDI systems have allowed anyone with basic computing skills to make music. Exchange is now automatic and weightless with the result that the High Street record store is dying. MySpace, Twitter and You Tube are now more important publicity venues for new bands than the concert tour routine. Unauthorized consumption in the form of illegal downloading has created a financial crisis in the industry. The old postwar industrial planning model of pop, which centralized control in the hands of major record corporations, and divided the market into neat segments, is dissolving in front of our eyes.

This book offers readers a comprehensive guide to understanding pop music today. It provides a clear survey of the field and a description of core concepts. The main theoretical approaches to the analysis of pop are described and critically assessed. The book includes a major investigation of the revolutionary changes in the production, exchange and consumption of pop music that are currently underway.

Pop Music, Pop Culture is an accomplished, magnetically interesting guide to understanding pop music today.

 

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Contents

Why Pop Not Popular?
1
Part I The Field
13
1 The Field of Pop Music Study
15
2 The UrbanIndustrial Backbeat
35
Part II Theoretical Perspectives
51
3 Structuralist Approaches
53
4 Agency Approaches
76
Part III The Mode of Production
117
7 Artists Managers and Audiences
150
8 Technology and Media
175
Part IV Conclusion
207
9 Cooperative Labour Inc
209
Notes
218
References
221
Subject Index
232
Author Index
235

6 Corporations and Independents
130

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About the author (2011)

Chris Rojek is Professor of Sociology and Culture at Brunel University

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