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" with the effect of the most characteristic ratios. Thus, the ratios 1 : 3 and 2 : 5, are most extensively and importantly employed in the temple at "
On the General Theory of Proportion in Architectural Design and Its ... - Page 8
by William Watkiss Lloyd - 1863 - 20 pages
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On the general theory of proportion in architectural design., and its ...

William Watkiss Lloyd - 1863 - 78 pages
...other ratios, some self-condemned by their high numbers, but others as not required or as interfering 8 with the effect of the most characteristic ratios....extensively and importantly employed in the temple at Bassse, but are absolutely unknown in the Parthenon. Even of the members of the scale admissible and...
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On the general theory of proportion in architectural design., and its ...

William Watkiss Lloyd - 1863 - 76 pages
...other ratios, some self-condemned by their high numbers, but others as not required or as interfering s with the effect of the most characteristic ratios....extensively and importantly employed in the temple at Bassse, but are absolutely unknown in the Parthenon. Even of the members of the scale admissible and...
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On the General Theory of Proportion in Architectural Design and Its ...

William Watkiss Lloyd - Architecture - 1863 - 72 pages
...others as not required or as interfering 8 with the effect of the most characteristic ratios. Tims, the ratios 1 : 3 and 2 : 5, are most extensively and importantly employed in the temple at Bassse, but are absolutely unknown in the Parthenon. Even of the members of the scale admissible and...
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Proportion and Harmony of Line and Color in Painting, Sculpture ..., Volume 7

George Lansing Raymond - Aesthetics - 1909 - 512 pages
...employed by Lloyd when speaking of the flank effects of the Parthenon, he says (P., ap. page 112), " the ratios 1 : 3 and 2 : 5 are most extensively and importantly employed in the temple at Bassae, but—referring evidently only to the front effects—are absolutely unknown in the Parthenon."...
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Proportion and Harmony of Line and Color in Painting, Sculpture, and ...

George Lansing Raymond - Aesthetics - 1909 - 516 pages
...Lloyd when speaking of the flank effects of the Parthenon, he says (P., ap. page 112), " the ratios I : 3 and 2 : 5 are most extensively and importantly employed in the temple at Bassae, but—referring evidently only to the front effects—are absolutely unknown in the Parthenon."...
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Proportion and Harmony of Line and Color in Painting, Sculpture, and ...

George Lansing Raymond - Aesthetics - 1899 - 512 pages
...Lloyd when speaking of the flank effects of the Parthenon, he says (P., ap. page 112), " the ratios I : 3 and 2 : 5 are most extensively and importantly employed in the temple at Bassae, but—referring evidently only to the front effects—are absolutely unknown in the Parthenon."...
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Proportion and Harmony of Line and Color in Painting, Sculpture, and ...

George Lansing Raymond - Aesthetics - 1899 - 510 pages
...Lloyd when speaking of the flank effects of the Parthenon, he says (P., ap. page 112), " the ratios i : 3 and 2 :5 are most extensively and importantly employed in the temple at Bassae, but—referring evidently only to the front effects—are absolutely unknown in the Parthenon."...
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