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acted actors allusion already authorship Beaumont Ben Jonson Chapman character Children of Paul's chronicle play classical Collier comedy of manners contemporary court death Dekker Devil dialogue domestic drama dramatist Duke earlier earliest early Eastward Hoe Edward Elizabeth Elizabethan drama England English drama Euphuism extant Fleay Fletcher Gorboduc Hamlet Henry VIII Henslowe Henslowe's heroical Heywood Humor Ibid influence interest interlude intrigue Italian John Jonson King Lady later Latin less Locrine London Lord Lyly Lyly's Maid Marlowe Marlowe's Marston master mentioned Middleton miracle play Modern morality murder passion performance personages Plautus players playwrights plot poet poetry popular Prince printed quarto Queen reign Revels revenge Richard romantic drama Rowley royal satire scene Senecan Shake Shakespeare Spanish Tragedy speare's spirit stage story Tamburlaine theaters theme Thomas tion Titus Andronicus tragic translation underplot Volpone wife William Rowley written
Page 489 - Nay, their endeavour keeps in the wonted pace : but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for 't : these are now the fashion, and so berattle the common stages— so they call them— that many wearing rapiers are afraid of goose-quills and dare scarce come thither.
Page 264 - How would it have joyed brave Talbot, the terror of the French, to think that after he had lain two hundred years in his tomb, he should triumph again on the stage and have his bones new embalmed with the tears of ten thousand spectators at least (at several times), who, in the tragedian that represents his person, imagine they behold him fresh bleeding...
Page 490 - O that Ben Jonson is a pestilent fellow ; he brought up Horace, giving the poets a pill ; but our fellow Shakespeare hath given him a purge, that made him bewray his credit.
Page 222 - I have been told by some anciently conversant with the stage, that it was not originally his, but brought by a private author to be acted, and he only gave some master-touches to one or two of the principal parts or characters...
Page 226 - From jigging veins of rhyming mother wits, And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms, And scourging kingdoms with his conquering sword.
Page 490 - Few of the university pen plays well; they smell too much of that writer Ovid and that writer Metamorphosis, and talk too much of Proserpina and Jupiter. Why, here's our fellow Shakespeare puts them all down, aye, and Ben Jonson too.
Page 288 - The Famous History of Sir Thomas Wyat. With the Coronation of Queen Mary, and the coming in of King Philip.
Page 167 - What child is there that, coming to a play, and seeing Thebes written in great letters upon an old door, doth believe that it is Thebes?
Page 238 - Cut is the branch that might have grown full straight, And burned is Apollo's laurel bough, That sometime grew within this learned man. Faustus is gone : regard his hellish fall, Whose fiendful fortune may exhort the wise Only to wonder at unlawful things, Whose deepness doth entice such forward wits To practise more than heavenly power permits.
Page 113 - In comedies the greatest skill is this, rightly to touch All things to the quick ; and eke to frame each person so, That by his common talk you may his nature rightly know : A roister ought not preach, that were too strange to hear, But as from virtue he doth swerve, so ought his words appear : The old man is sober, the young man rash, the lover triumphing in joys. The matron grave, the harlot wild, and full of wanton toys.