A World History of PhotographyA World History of Photography encompasses the entire range of the medium, from the camera lucida to the latest computer technology, and from Europe and the Americas to the Far East. It investigates all aspects of photography - aesthetic, documentary, commercial, and technical - while placing it in historical context. |
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Page 325
... Edward Steichen , and Clarence H. White . All were prominent in organizing and showing work in the national and interna- tional exhibitions of art photography held around 1900 . While constituted as a national body , the Photo ...
... Edward Steichen , and Clarence H. White . All were prominent in organizing and showing work in the national and interna- tional exhibitions of art photography held around 1900 . While constituted as a national body , the Photo ...
Page 508
... Edward Steichen In the range and quality of his production in the fashion and advertising fields , Edward Steichen might be said to embody the development of utilitarian photography in the 20th century . Steichen was engaged with much ...
... Edward Steichen In the range and quality of his production in the fashion and advertising fields , Edward Steichen might be said to embody the development of utilitarian photography in the 20th century . Steichen was engaged with much ...
Page 632
... Edward Steichen , “ Introduction , ” The Family of Man , New York , 1955 , pp . 3-4 . 22. According to Steichen , some two million photographs were submitted ; they were narrowed down by Steichen and his staff to 10,000 , and then to ...
... Edward Steichen , “ Introduction , ” The Family of Man , New York , 1955 , pp . 3-4 . 22. According to Steichen , some two million photographs were submitted ; they were narrowed down by Steichen and his staff to 10,000 , and then to ...
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Common terms and phrases
19th century Adolphe Braun advertising aesthetic Albumen print Alfred Stieglitz amateur American artists Autochrome became began Berenice Abbott British calotype camera images Charles chemical Collection collodion color commercial Courtesy Daguerre Daguerre's daguerreotype David Octavius Hill depict documentary documentation Eadweard Muybridge early Edward Steichen England engravings Europe exhibition exposure expression film France French Gallery Gelatin silver print genre George Eastman House German Gernsheim glass graphic graphs gravure Henry included individual industrial interest International Museum invention John journals landscape lens light London magazines medium ment montage Museum of Photography Muybridge Nadar nature negative nude painters painting paper Paris Paul Strand Photographic Society Photography at George photojournalism photojournalistic pictorial Pictorialist plate portraits portraiture posed produced published raphers reproduced Roger Fenton scenes sensitivity social Steichen stereograph studio style suggest Talbot techniques themes tion tographers tonal United urban viewers views vision visual Weston William York