A World History of PhotographyA World History of Photography encompasses the entire range of the medium, from the camera lucida to the latest computer technology, and from Europe and the Americas to the Far East. It investigates all aspects of photography - aesthetic, documentary, commercial, and technical - while placing it in historical context. |
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Page 155
Naomi Rosenblum. NEARLY ALL CAMERA IMAGES that deal with what exists in the world may be considered documents in some sense , but the term documentation has come to refer to pictures taken with an intent to inform rather than to inspire ...
Naomi Rosenblum. NEARLY ALL CAMERA IMAGES that deal with what exists in the world may be considered documents in some sense , but the term documentation has come to refer to pictures taken with an intent to inform rather than to inspire ...
Page 245
... camera images when at the end of the 1880s simplified apparatus and processing methods— “ push button " pho- tography - turned potentially everyone into a photogra- pher . During the same period , the persistent struggle to produce images ...
... camera images when at the end of the 1880s simplified apparatus and processing methods— “ push button " pho- tography - turned potentially everyone into a photogra- pher . During the same period , the persistent struggle to produce images ...
Page 297
... camera images might engage the feelings and senses , and nourished initially by the concept of Naturalism ... camera image . The aesthetic photographers who were its advocates held that photographs should be concerned with beauty rather ...
... camera images might engage the feelings and senses , and nourished initially by the concept of Naturalism ... camera image . The aesthetic photographers who were its advocates held that photographs should be concerned with beauty rather ...
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Common terms and phrases
19th century Adolphe Braun advertising aesthetic Albumen print Alfred Stieglitz amateur American artists Autochrome became began Berenice Abbott British calotype camera images Charles chemical Collection collodion color commercial Courtesy Daguerre Daguerre's daguerreotype David Octavius Hill depict documentary documentation Eadweard Muybridge early Edward Steichen England engravings Europe exhibition exposure expression film France French Gallery Gelatin silver print genre George Eastman House German Gernsheim glass graphic graphs gravure Henry included individual industrial interest International Museum invention John journals landscape lens light London magazines medium ment montage Museum of Photography Muybridge Nadar nature negative nude painters painting paper Paris Paul Strand Photographic Society Photography at George photojournalism photojournalistic pictorial Pictorialist plate portraits portraiture posed produced published raphers reproduced Roger Fenton scenes sensitivity social Steichen stereograph studio style suggest Talbot techniques themes tion tographers tonal United urban viewers views vision visual Weston William York