Howards End

Front Cover
Macmillan, 1997 - Fiction - 499 pages
Adopted at more than 1,000 colleges and universities, Bedford/St. Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.
 

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LibraryThing Review

User Review  - Ken-Me-Old-Mate - LibraryThing

Howards End by E.M. Forster I don't know what you would make of this if you weren't English. In some ways it would be like watching an English film with subtitles that were written by someone who ... Read full review

LibraryThing Review

User Review  - amerynth - LibraryThing

I enjoyed E.M. Forster's novel "Howards End," which is about two sisters, Margaret and Helen, who have rather romantic ideals and are surrounded by hard-knock life sort of folks. The titular Howards ... Read full review

Contents

Biographical and Historical Contexts
3
The Complete Text
21
PART
293
Psychoanalytic Criticism and Howards End
313
Cultural Criticism and Howards
345
A Selected Bibliography
359
Feminist and Gender Criticism and Howards End
379
A Selected Bibliography
393
Marxist Criticism and Howards End
416
A Selected Bibliography
429
Deconstruction and Howards End
447
A Selected Bibliography
463
Glossary of Critical and Theoretical Terms
483
About the Contributors
497
Copyright

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About the author (1997)

Edward Morgan Forster was born on January 1, 1879, in London, England. He never knew his father, who died when Forster was an infant. Forster graduated from King's College, Cambridge, with B.A. degrees in classics (1900) and history (1901), as well as an M.A. (1910). In the mid-1940s he returned to Cambridge as a professor, living quietly there until his death in 1970. Forster was named to the Order of Companions of Honor to the Queen in 1953. Forster's writing was extensively influenced by the traveling he did in the earlier part of his life. After graduating from Cambridge, he lived in both Greece and Italy, and used the latter as the setting for the novels Where Angels Fear to Tread (1905) and A Room with a View (1908). The Longest Journey was published in 1907. Howard's End was modeled on the house he lived in with his mother during his childhood. During World War I, he worked as a Red Cross Volunteer in Alexandria, aiding in the search for missing soldiers; he later wrote about these experiences in the nonfiction works Alexandria: A History and Guide and Pharos and Pharillon. His two journeys to India, in 1912 and 1922, resulted in A Passage to India (1924), which many consider to be Forster's best work; this title earned the James Tait Black Memorial Prize. Forster wrote only six novels, all prior to 1925 (although Maurice was not published until 1971, a year after Forster's death, probably because of its homosexual theme). For much of the rest of his life, he wrote literary criticism (Aspects of the Novel) and nonfiction, including biographies (Goldsworthy Lowes Dickinson), histories, political pieces, and radio broadcasts. Howard's End, A Room with a View, and A Passage to India have all been made into successful films.

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