Classics of the Horror FilmThe thrills which delight viewers of horror movies. |
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Page 25
... camera shots through the " Old House , " its cobwebs , clutching hands , and standard accoutre- ments , it would probably have been a grade " A " showcase for Good's virtually unrecognized talents today . Regardless of the fun it must ...
... camera shots through the " Old House , " its cobwebs , clutching hands , and standard accoutre- ments , it would probably have been a grade " A " showcase for Good's virtually unrecognized talents today . Regardless of the fun it must ...
Page 29
... Camera , Carl Hoffman . Sets and Design , Otto Hunte and Stahl - Urach . Released by UFA in two parts of ten reels each . With Rudolph Klein - Rogge , Bernard Goetzke , Aud Egede Nissen , Alfred Abel , Paul Richter , Gertrude Welcker ...
... Camera , Carl Hoffman . Sets and Design , Otto Hunte and Stahl - Urach . Released by UFA in two parts of ten reels each . With Rudolph Klein - Rogge , Bernard Goetzke , Aud Egede Nissen , Alfred Abel , Paul Richter , Gertrude Welcker ...
Page 66
... camera movement aids in this concealment of rational explanation ; we hear sounds , and only gradually does the camera pan slowly to the source , which often does not satisfy us . The very sparse dialogue likewise frus- trates more than ...
... camera movement aids in this concealment of rational explanation ; we hear sounds , and only gradually does the camera pan slowly to the source , which often does not satisfy us . The very sparse dialogue likewise frus- trates more than ...
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actually appearance atmosphere Atwill audience become Bela Lugosi better body Boris Karloff British Browning Camera certainly Chaney characters Charles classic color comedy comes created Dead deal death dialogue Directed director Dracula earlier early Edward effects fact final Frankenstein genre genuine George German ghost give hand hero horror films House human interesting James John Karloff kind lack later least less lighting Lionel look Love Mabuse major makeup menace merely Monster murder Mystery never Night original performance perhaps period Phantom physical played plot Produced release remake Richard Arlen Robert role scene screen Screenplay seems seen sense sequence sets shock shot silent Son of Frankenstein sound standard star story style successful suggested thriller tion turn Universal Vampire victim visual Whale whole