Classics of the Horror FilmThe thrills which delight viewers of horror movies. |
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Page 2
... director may decide not to use a particularly funny scene or effect only because it destroys the balance or the logic of his whole film , a director of horror films need not feel so strictured . Some of the most chilling moments in ...
... director may decide not to use a particularly funny scene or effect only because it destroys the balance or the logic of his whole film , a director of horror films need not feel so strictured . Some of the most chilling moments in ...
Page 120
... director of the 20s and 30s ( and incidentally , before that , D. W. Griffith's successor at Biograph ) , was at best a journeyman director . In fact , the major weaknesses of The Ghoul are all ones that a really good direc- tor could ...
... director of the 20s and 30s ( and incidentally , before that , D. W. Griffith's successor at Biograph ) , was at best a journeyman director . In fact , the major weaknesses of The Ghoul are all ones that a really good direc- tor could ...
Page 174
... director of real talent was trapped in the PRC net , one really had a chance to see that talent and initiative working , undis- guised by production camouflage . Not that PRC ever had many major directors working for them , but at ...
... director of real talent was trapped in the PRC net , one really had a chance to see that talent and initiative working , undis- guised by production camouflage . Not that PRC ever had many major directors working for them , but at ...
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Common terms and phrases
actually appearance atmosphere Atwill audience become Bela Lugosi better body Boris Karloff British Browning Camera certainly Chaney characters Charles classic color comedy comes created Dead deal death dialogue Directed director Dracula earlier early Edward effects fact final Frankenstein genre genuine George German ghost give hand hero horror films House human interesting James John Karloff kind lack later least less lighting Lionel look Love Mabuse major makeup menace merely Monster murder Mystery never Night original performance perhaps period Phantom physical played plot Produced release remake Richard Arlen Robert role scene screen Screenplay seems seen sense sequence sets shock shot silent Son of Frankenstein sound standard star story style successful suggested thriller tion turn Universal Vampire victim visual Whale whole