Screaming for Change: Articulating a Unifying Philosophy of Punk Rock
Lexington Books, Jul 10, 2012 - Social Science - 172 pages
Screaming for Change advances an understanding of punk rock by going beyond description of punk as a musical, political, social, and cultural genre of communication. Previous scholarship about punk rock has primarily dealt with those boundaries of genre. Previous scholars neglected to examine the ideology of punk across the decades and continents. That ideology, in a word, is deviance. Through Gramscian textual analysis, this book uncovers this ideology of deviance with some surprises along the way. Students and scholars of punk rock will value the book's attention to both well known and more esoteric punk artists. Punk is arguable the most studied "subculture" to ever launch itself onto the larger social agenda as a possible counterbalance to the mainstream cultural hegemony. During the late 1970s, punk scenes sprouted up in large numbers all over the globe, and it appears that deep feelings of discontent towards the inherent alienation present in the capitalist system were the motivational seed that facilitated their growth. Unconvinced that the historical accounts have been successful in adequately describing and proficiently capturing the essence of punk, this study examines the phenomenon in slightly different terms. This study proposes that punk should be understood as a way of seeing the world, as a way of reasoning, or, essentially, as a philosophy on its own terms.
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Previous Ponderances of Punk
Identifying the Unifying Philosophy
Punks Unifying Philosophy Uncovered
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album American analyzed approach argued arguments artifacts artwork Bad Religion band’s behavior British Burning Heart Records clothing CD co-opted Communication contemporary cultural deﬁned deﬁnition difﬁcult domination Epitaph Records essence fact Fat Mike Fat Wreck Chords ﬁght ﬁghting ﬁnal ﬁnally ﬁnd functions garage rock Goshert Grafﬁn guitar hardcore Hebdige hegemonic historical human I2 bursts identiﬁable ideological rhetorical criticism inﬂuence instrumentation Johnny Rotten lives Lyxzén mainstream McLaren motivations Muggleton musical expression musical genre Never Mind NOFX numbers O’Hara one’s people’s perceived Phillipov playing political portrayed potentially presented problem punk bands punk philosophy punk rock punk scholarship punk subcultures punk’s question Recorded by Bad Recorded by NOFX reﬂects Refused’s Sabin Savage scholars Screaming sense Sex Pistols shape of punk signiﬁcance Simonelli sings social society song song’s speciﬁc Spicer status quo study’s style subcultural suggests tion Virgin Records Wolves in wolves York Dolls