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The Art of Mesopotamia
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abstract already appeared arches architecture artistic Baroque base beautiful became bronze building built Byzantine called cathedral central centre century chapel characteristic Christian church civilisation classical Collection colour columns complete composition construction continued contrast created culture dating decoration detail dominated Dynasty early effects especially Europe example expression fašade face fact figures Florence followed forms France French frescoes Gallery gave German give Gothic Greek hand human important influence inspired interest interior Italian Italy landscape later light lively London Louvre marked mass Milan monumental movement Museum nature Opposite original ornamental painter painting palace Paris particularly period Persian portrait realism reality relief remained represented revealed Roman Romanesque Rome scenes sculpture seen sense shape sometimes space statue stone structure style temple tomb tradition values Venice walls