Sound and Music in Film and Visual Media: A Critical Overview
Graeme Harper, Ruth Doughty, Jochen Eisentraut
Bloomsbury Academic, Mar 1, 2009 - Social Science - 896 pages
Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and wide-ranging consideration of this subject yet produced.
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The Transition to Sound
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accompaniment acoustic aesthetic African American Altman American animation artistic audience audio aural become broadcast Cal theme character chord cinema classical commercial composer concept context create cues cultural deterritorializes developed dialogue diegesis diegetic Disney documentary early East of Eden electronic elements Elfman emotional example experience feature film music film scores film sound film's filmmakers function genre Glass Hollywood Ibid industry instrument jazz Kong Koyaanisqatsi leitmotif listening London meaning melody minimalist music montage movie music theatre musicians narrative noise opera orchestral Original soundtrack recording performance played Pop Idol popular music production programmes radio relationship rock role Rosenman scene screen sense sequence shot significant silence silent film singer singing song sonic sound design sound effects sound film soundtrack space spectator Star Wars style synchronized techniques television theatre tion track traditional University Press viewer visual voice York