The New York school: a cultural reckoning |
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Page 118
When Peggy Guggenheim opened her gallery, she was careful to wear one
earring by Tanguy and one by Calder, 'in order to show my impartiality between
surrealist and abstract art.'2 Such impartiality was growing steadily. The synthesis
of ...
When Peggy Guggenheim opened her gallery, she was careful to wear one
earring by Tanguy and one by Calder, 'in order to show my impartiality between
surrealist and abstract art.'2 Such impartiality was growing steadily. The synthesis
of ...
Page 120
23. William Baziotes at Peggy Guggenheim's Art of This Century Gallery where
he had his first one-man show in 1944. Photo: courtesy Mrs William Baziotes
below (25) Alaskan Tlingit robe of Shaman. William Baziotes at Peggy
Guggenheim's ...
23. William Baziotes at Peggy Guggenheim's Art of This Century Gallery where
he had his first one-man show in 1944. Photo: courtesy Mrs William Baziotes
below (25) Alaskan Tlingit robe of Shaman. William Baziotes at Peggy
Guggenheim's ...
Page 121
Peggy Guggenheim's gallery was one of the places that was good to stay in —
the nearest thing to a boulevard cafe, the easiest way for a chance encounter
with a 'monument,' be he Mondrian, Ernst, or Breton himself. If the history of
agitated ...
Peggy Guggenheim's gallery was one of the places that was good to stay in —
the nearest thing to a boulevard cafe, the easiest way for a chance encounter
with a 'monument,' be he Mondrian, Ernst, or Breton himself. If the history of
agitated ...
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User Review - cakecop - LibraryThingThe essays in this book capture the thinking involved in the Abstract Expressionist School of New York. Read full review
Contents
Greenwich Villageand Depression | 34 |
A Farrago of Theories | 53 |
Studio Talk | 69 |
Copyright | |
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Common terms and phrases
abstract art abstract expressionist Ad Reinhardt Adolph Gottlieb alienated American art American artists American painting Arshile Gorky attitude avant-garde ballet Barnett Newman Barr Baziotes began Betty Parsons Breton called contemporary courtesy critics cubist dealers Denby discussion early editors esthetic Europe European exhibition existentialist experience felt film Franz Kline gallery Graham Greenberg Guggenheim Guston Harold Rosenberg Hofmann idea important individual intellectual interest issue Jackson Pollock Kandinsky Kiesler Kline Kooning's later Lee Krasner literary living Longinus MacAgy magazine mass Matta milieu modern art modern artist modern tradition movement Museum of Modern myth nineteen-forties nineteen-thirties painters Partisan Review Peggy Philip Guston Photo Picasso picture poets political problems Reinhardt rhetoric Robert Motherwell romantic Rothko Schapiro sculpture seemed sense situation social society spiritual statement Stuart Davis studio sublime surrealism surrealist Sweeney theater thirties tion vanguard Willem de Kooning writers wrote York artists York School
Bibliographic information
| Title | The New York school: a cultural reckoning Viking compass book |
| Author | Dore Ashton |
| Edition | reprint |
| Publisher | Viking Press, 1972 |
| Original from | the University of Michigan |
| Digitized | Nov 15, 2007 |
| Length | 246 pages |
| Subjects | › › Art / American / General Art / History / General Education / Higher |
| Export Citation | BiBTeX EndNote RefMan |