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Aholiab analogy ancient art history artists Barry Barry's Bartolozzi Blakean Boydell Boydell's British Museum Bruntjen Christian claim Claude Mellan color commercial counter-arts Cunningham drawing Dyck England English art English engraving English painting English school English-school discourse Essick execution exhibition Felpham Francesco Bartolozzi French genius graving Greek halftone harmony history of art history of engraving history painting Hoare Hogarth human imagination imitation individual Institution Jesus John Boydell Joshua Reynolds journeymen labor Landseer Lectures line engraving London master ment mental metaphors mezzotint Milton Moses narrative natural neoclassicism opposition original painters patron patronage plate poetry poets political portrait Prince Hoare production progress Public Address quoted Raphael relief etching religion reproduction Reynolds Reynolds's Robert Royal Academy Rubens Shakespeare Gallery skills spirit style taste technical technique theory tion tional Titian Trustees tures Urizen Venetian vision Wedgwood William Blake William Hayley Woollett Wornum
The Shock of the Real: Romanticism and Visual Culture, 1760-1860
Gillen D'Arcy Wood
No preview available - 2001
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Illustrating the Past in Early Modern England: The Representation of History ...
James A. Knapp
No preview available - 2003