Notebooks, Volume 1
Paul Valéry, Paul Gifford, Brian Stimpson, Robert Pickering, Judith Robinson-Valéry
P. Lang, 2000 - Literary Collections - 654 pages
The Cahiers/Notebooks of Paul Valery are a unique form of writing. They reveal Valery as one of the most radical and creative minds of the twentieth century, encompassing a wide range of investigation into all spheres of human activity. His work explores the arts, the sciences, philosophy, history and politics, investigating linguistic, psychological and social issues, all linked to the central questions, relentlessly posed: 'what is the human mind and how does it work?', 'what is the potential of thought and what are its limits?' But we encounter here too, Valery the writer: exploratory, fragmentary texts undermine the boundaries between analysis and creativity, between theory and practice. Neither journal nor diary, eluding the traditional genres of writing, the Notebooks offer lyrical passages, writing of extreme beauty, prose poems of extraordinary descriptive power alongside theoretical considerations of poetics, ironic aphorisms and the most abstract kind of analysis. The concerns and the insights that occupied Valery's inner voyages over more than 50 years remain as relevant as ever for the contemporary reader: for the Self that is his principal subject is at once singular and universal.
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Academie Francaise action become believe Berthe Morisot Bibliotheque nationale body Cahiers consciousness created defined Degas desire domain dream dressage effect EGO SCRIPTOR emotions energy Eros everything exist external extreme Faust feeling finite function Genoa Gide give Gladiator Henri Poincare human Ibid idea images imagine infinite inner intellectual invention kind language living look means Melange memory mental mind Montpellier mysticism Narcissus nature never notebooks object one's oneself organs pain particular passion Paul Valery perhaps person pleasure Pleiade Plotinus poetry possible potential precise produced pure purity reactions reason recognize relation Reproduced response seems sensations sense sensibility someone sometimes soul Stendhal strange Stratonice stupid suffering There's things thought tion understand Untitled Valery's VIII what's whole words writing XVII XVIII XXII XXIX