Stage costume design: theory, technique, and style |
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Contents
INTRODUCTION | 3 |
PLANNING AND PRESENTATION OF | 30 |
PRINCIPLES OF CHARACTERIZATION AND DESIGN | 77 |
Copyright | |
21 other sections not shown
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Common terms and phrases
accents accessories achieved action actor American Conservatory Theatre artistic audience background Baroque basic bodice breeches Celastic character chiton classical cloth coat collar color costume designer costume sketch cotehardie cotton create crew culture decorative developed drama draped dress effect eighteenth century example fabric fashion fibers Figure finished folds front garment Gothic gown Greek hair headdress hips images jacket lace leno weave light liripipe mannerist masks medieval Menaechmi metal modern mood Museum neck neckline ornament painting patterns period Photo courtesy pinned play play's playwright pleated production realism reality Renaissance rhythm Robert Edmond Jones Rococo Roman Romeo and Juliet Royal Shakespeare Theatre scene School for Scandal script sculpture seams Shakespeare shape shoulder silhouette silk skirt sleeves soft Stanford stress structure style surface symbolic symbolist Tartuffe texture theatre theatrical tion trim trousers tume tunic usually visual waist wear weave widths women worn
Bibliographic information
| Title | Stage costume design: theory, technique, and style |
| Author | Douglas A. Russell |
| Publisher | Appleton-Century-Crofts, 1973 |
| Length | 593 pages |
| Subjects | › Art / Fashion Costume Costume design |
| Export Citation | BiBTeX EndNote RefMan |