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The Renaissance as a Literary Period
Latin Greek and the Vernaculars
Imitation of Prose Forms Oceronianism
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achievement Aeneid allusion ancient Ariosto Aristotle Aristotle's Augustan Bandello Bembo Boccaccio Boiardo Canto Carolingian Castiglione Catullus Chapter Chaucer Cicero Ciceronianism classical comedy composition court Dante decoration dialogue diction dilation discussion distinct doctrine dramatic eclogues Elizabethan encomium English epic Erasmus fabliau Faerie Queene fifteenth Florence forms French Giraldi Greek Gyrone habit Horace humanistic Latin humanists idea ideal imitation inventio Italian Italy language Latin learned less letter literary literature lyric Macchiavelli Malory medieval merely metric Middle Age Minturno mythology narrative orator oratory Orlando Ovid Paris pastoral Petrarch Pindar Plato play Pleiade poem poesie poet poetic poetry printed prose Quintilian Rabelais Renais Renaissance Renaissance classicism revival rhetoric Rinaldo romance Ronsard sance satire Scaliger scholars Seneca sentences sequence shepherds sixteenth century sometimes sonnet sophistic speech Spenser stanza story style suggestion Tacitus Tasso Theocritus theory thou tion tradition tragedy translated treatise typical Venice Vergil vernacular verse vogue words writing