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ERIC BERNE T A AND THE ACTORS TEXT
IF ONLY I COULD BE AS EXPRESSIVE AS MY DREAMS
THE CARE AND FEEDING OF DINOSAURS
action theory actress Alexander Technique Alma audience member awareness Barbara Hepworth become believe body breathing cathected character character's check-list communicate concentration convey course the actor cross-mirror dancer develop director dramatic element emotional energy ERIC BERNE exercise experience explore express feeling frontier goal Grotowski hands happens he/she Hedda Gabler human Icarus imagination improvisation impulse individual Institute for Acting intuition JAMES ROOSE-EVANS Karen kind Martha mirror company motivated move movement muscles never oxygen PAUL BARRY Paul Sills performance perience person physical play playwright problem questions R. D. Laing react rehearsal relationship relaxation resonator response role Romeo rope rule scene score script sense sitting sound stage Stanislavsky student subtext super-objective talent teacher tension territory Thea theatre pieces thing tion Tiresias transactional analysis trying uncon vocal voice Waiting for Godot words