Left or Right? Directing Lateral Movement in Film'Left or Right? Directing Lateral Movement in Film' offers an in-depth analysis of film, television, and new media directing from a perspective of clearly articulated directorial concept linked to the placement and movement of performers in shot design. This book strives to demonstrate the mechanism of directional bias and how the effects of perceptual mechanisms can help film directors and image-makers to control, regulate, and modify the viewer's perception of characters and story movement, ultimately leading to higher quality creations. This highly hands-on, practical book provides novel insights into the significance of laterality effects, equipping film directors, and image-makers who want to create aesthetically valuable and well-crafted visual products with functional tools to employ. The book also examines lateral organization in regard to biological sex, gender identity, class, races, ethnicity, religions, and age in LGBTQ+ films and porn cinema. 'Left or Right? Directing Lateral Movement in Film' holds broad appeal from experiences directors or cinematographers with an established body of work to students working to understand the language of cinema. It will also appeal to film and media theorists, as well as teachers of visual arts education. |
Contents
PART I | 1 |
RULES | 19 |
FILM DIRECTOR | 29 |
FACTORS THAT INFLUENCE LATERAL | 43 |
RESEARCH PROJECT | 57 |
PART II | 67 |
SYMPATHETIC VS UNSYMPATHETIC | 81 |
DIRECTIONALITY OF MOVEMENT | 87 |
CHARACTER CONTEMPLATES THE PAST | 115 |
CHARACTER CONTEMPLATES THE FUTURE | 117 |
LATERAL DIRECTIONALITY AND | 133 |
PART III | 143 |
LGBTQ+ CINEMA | 163 |
DIRECTIONAL CONCEPT OF LATERALITY | 187 |
EPILOGUE | 199 |
ABOUT THE AUTHOR | 205 |
Other editions - View all
Left Or Right? Directing Lateral Movement in Film [Premium Color] Lubomir Kocka No preview available - 2021 |
Left Or Right? Directing Lateral Movement in Film [Premium Color] Lubomir Kocka No preview available - 2020 |
Common terms and phrases
aesthetic asymmetry attentional bias attraction audience audience’s Axel Braun Bangkok Dangerous behavior biases blocking brain camera movement chapter character movement character’s Chinese cinema composition concept of laterality create cultural directional bias directional concept directional preferences directional rightward bias directionality dominant effect elements emotions factors Film and Television film directors film frame film shot filmmakers gender goal handedness Hedwig hentai hero heteronormative images Infernal Affairs influences intuitive King Hu Kocka lateral movement lateral organization lateral preferences left side left to right left-right/right-left orientation left-to-right movement leftward bias LGBTQ+ look male moves from left objects perception porn preferences and side protagonist psycho-physiological regularities Querelle representation Right Left right side right to left Rijksmuseum Rose Troche rules scene screen direction sexual shot design side preferences spatial stereotypes Steve Stanley story subconscious submissive Touch of Zen unconscious viewers villain visual narrative Wong Kar-Wai writing system writing system orientation


