A Song for One Or Two: Music and the Concept of Art in Early ChinaThis study of theories of music and art in China from the classical period to the Six Dynasties is based on analysis and interpretation of textual and archaeological evidence. Its wide-ranging sources include mythology, aesthetic philosophy, musical lore, and notation systems. The evolution of theories of music and art is considered in the context of cosmological and moral philosophy. |
Contents
An Early Performance | 19 |
Music Hearing and the Mind 233 | 29 |
Classical and Han Theory | 43 |
Copyright | |
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aesthetic ancient apocrypha Autumn Annals bells Book of Changes Book of Documents Book of Music ch'i ch'in ch'in lore ch'un-ch'iu chiao chih China Chinese Lute Chinese Music Ching Fang Chou chüan Chuang-tzu Chung Civilisation in China classical Confucian Confucius context correlations cosmic cosmos described discourse discussions of music early Chinese early Six Dynasties expressed five tones Fu Hsi Gulik Han-shu harmony Hsi K'ang Hsün-tzu Huai-nan-tzu instruments Juan Chi kung listening metaphoric mind mode-key moral movement Music Master music of Cheng nature Needham notation octave pattern performance Philosophy pipes pitchpipes played poetry resonance Rhyme-prose ritual sage scholars Science and Civilisation self-so-ness shang Shi Jing songs sound string instruments strings sympathetic resonance T'ang terminology texts things thinkers timbre tion translated Ts'ai Yung Tso Commentary tunes twelve pitches virtue Wang Wang Pi whistling Yellow Emperor yellow-bell pitch yin and yang Yüeh zither