Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination

Front Cover
Ohio University Press, 2008 - History - 262 pages
The prevailing assumption regarding the Victorians' relationship to ancient Greece is that Greek knowledge constituted an exclusive discourse within elite male domains. Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination challenges that theory and argues that while the information women received from popular sources was fragmentary and often fostered intellectual insecurities, it was precisely the ineffability of the Greek world refracted through popular sources and reconceived through new fields of study that appealed to women writers' imaginations.

Examining underconsidered sources such as theater history and popular journals, Shanyn Fiske uncovers the many ways that women acquired knowledge of Greek literature, history, and philosophy without formal classical training. Through discussions of women writers such as Charlotte Brontė, George Eliot, and Jane Harrison, Heretical Hellenism demonstrates that women established the foundations of a heretical challenge to traditional humanist assumptions about the uniformity of classical knowledge and about women's place in literary history.

Heretical Hellenism provides a historical rationale for a more expansive definition of classical knowledge and offers an interdisciplinary method for understanding the place of classics both in the nineteenth century and in our own time.


 

Contents

Victorian Medea
24
Fragments of Genius
64
Heretical Humanism
112
The Daimon Archives
149
Afterword
189
Notes
199
Bibliography
237
Index
259
Copyright

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About the author (2008)

Shanyn Fiske is an assistant professor of English at Rutgers University at Camden. She is the author of articles on Charlotte Bronteuml;, Jane Harrison, Charles Dickens, and Alicia Little.

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