How Equal Temperament Ruined Harmony (and why You Should Care)

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W. W. Norton & Company, 2007 - Music - 196 pages
Ross W. Duffin presents an engaging and elegantly reasoned exposé of musical temperament and its impact on the way in which we experience music. A historical narrative, a music theory lesson, and, above all, an impassioned letter to musicians and listeners everywhere, How Equal Temperament Ruined Harmony possesses the power to redefine the very nature of our interactions with music today.

For nearly a century, equal temperament--the practice of dividing an octave into twelve equally proportioned half-steps--has held a virtual monopoly on the way in which instruments are tuned and played. In his new book, Duffin explains how we came to rely exclusively on equal temperament by charting the fascinating evolution of tuning through the ages. Along the way, he challenges the widely held belief that equal temperament is a perfect, "naturally selected" musical system, and proposes a radical reevaluation of how we play and hear music.

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Contents

Acknowledgments
9
Prelude
15
How Temperament Started
31
NonKeyboard Tuning
46
How Long O Lord How Long?
64
A Bridge to the Nineteenth Century
76
Really Better or Simply Easier?
94
Some Are More Equal than Others
104
The Joachim Mode
119
The Limbo of That Which Is Disregarded
138
Where Do We Go from Here?
145
Table of Intervals in Cents
163
Select Bibliography
171
Sources and Permissions
177
Copyright

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About the author (2007)

Ross W. Duffin, the Fynette H. Kulas Professor of Music at Case Western Reserve University, is the author of the award-winning Shakespeare's Songbook. He lives in Shaker Heights, Ohio.

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