The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century

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Cornell University Press, 1984 - Literary Criticism - 209 pages

From the central concept of the field--which depicts the world as a mutually interactive whole, with each part connected to every other part by an underlying field-- have come models as diverse as quantum mathematics and Saussure's theory of language. In The Cosmic Web, N. Katherine Hayles seeks to establish the scope of the field concept and to assess its importance for contemporary thought. She then explores the literary strategies that are attributable directly or indirectly to the new paradigm; among the texts at which she looks closely are Robert Pirsig's Zen and the Art of Motorcycle Maintenance, Nabokov's Ada, D. H. Lawrence's early novels and essays, Borges's fiction, and Thomas Pynchon's Gravity's Rainbow.

 

Contents

Preface
9
Introduction
15
Representative Field Theories
31
The Quality of Rhetoric in Pirsigs
63
The Field of the Unconscious
85
Symmetry Asymmetry and the Physics
111
Infinite Series and Transfinite
138
Cosmology and the Point
168
References Cited
199
Index
205
Copyright

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About the author (1984)

N. Katherine Hayles is James B. Duke Professor of Literature at Duke University. She is the author of many books, including How We Think: Digital Media and Contemporary Technogenesis, Electronic Literature: New Horizons for the Literary, and My Mother Was a Computer: Digital Subjects and Literary Texts.

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