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acting action actors Aeschylus aesthetic African American American American Repertory Theatre ancient ancient Greek Angels in America Anton Chekhov Arena Stage Aristophanes Aristotle Arthur Miller Asian Athol Fugard atre audi audience audition August Wilson avant-garde Bedroom Farce Bertolt Brecht Beth Henley Brecht Broadway Broadway theatres Buried Child Caryl Churchill cast catharsis celebrated century character's characters Chinese Chinese Opera classic color comedy comic commedia dell'arte contemporary costume create critics cultural dance David Henry Hwang David Mamet developed dialogue Dionysia Dionysus directed director drama duction Edward Albee emotional Eugene O'Neill Euripides Festival genre George Bernard Shaw Greek Greek tragedy Guthrie Theatre Guys and Dolls Harold Pinter human Jelly's Last Jam Joan Marcus John Guare Julie Taymor kabuki kathakali Kentucky Cycle King Lear Konstantin Stanislavsky kunqu lighting Lincoln Center Lion King live Luigi Pirandello Macbeth makeup Mark Taper Forum Midsummer Night's Dream modern Moscow Art Theatre musical musical theatre Neil Simon off-Broadway off-off-Broadway often onstage Opera Paula Vogel performance Peter Brook Photo play play's playwright plot postmodern premiere present production profes professional proscenium Pulitzer Prize realistic regional theatres rehearsal Repertory Theatre Richard Rodgers Robert Cohen role romanticism Sam Shepard Samuel Beckett scene scenery script Shakespeare Sisters Rosensweig social sound South Coast Repertory stage stage lights Stanislavsky Stephen Sondheim Steppenwolf Streetcar Named Desire style stylized symbolist Tennessee Williams Terrence McNally theatre artists theatre of cruelty theatre's theatrical themes thrust stage tion Tom Stoppard Tomoko Ogawa Tony Award Tony Walton tragedy tragicomedy Ubu Roi Utah Shakespearean Festival voice W. S. Gilbert Waiting for Godot Wendy Wasserstein writing xiqu Yale Repertory Theatre York York Public Theatre zaju