Faust, Part 1

Front Cover
Bantam Books, Jan 1, 1985 - Fiction - 327 pages
300 Reviews
Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.

This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

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The most beautiful prose I've ever read... - Goodreads
Boy meets world of scholarship and falls in love. - LibraryThing
Loved it, the rhyming, imagery, wit, gothic scenery. - Goodreads
Regardless, the plot is quite intricate and res - Goodreads
I truly am confused and annoyed by the ending. - Goodreads
My favorite period of writing. - Goodreads

LibraryThing Review

User Review  - trilliams - LibraryThing

Do most people even know the second act exists? That changes everything. Also the Germans get to call him Mephistopheles, which is way better than Mephisto. Someday I'll read the left side of this book, I swear. Read full review

Review: Faust: First Part (Goethe's Faust #1)

User Review  - Carol - Goodreads

Goethe's Faust should not be on the list of 100 Greatest Stage Plays of All Time. It is not a stage play. It is a poem. It does not work in the theater. It was not written to work in the theater ... Read full review

All 32 reviews »

About the author (1985)

Before he was thirty, Goethe had proven himself a master of the novel, the drama, and lyric poetry. But even more impressive than his versatility was his unwillingness ever to settle into a single style or approach; whenever he used a literary form, he made of it something new.

Born in 1749 to a well-to-do family in Frankfurt, he was sent to Strasbourg to earn a law degree. There, he met the poet-philosopher Herder, discovered Shakespeare, and began to write poetry. His play Götz von Berlichingen (1773) made him famous throughout Germany. He was invited to the court of the duke of Sachsen-Weimar, where he quickly became a cabinet minister. In 1774 his novel of Romantic melancholy, The Sorrows of a Young Werther, electrified all of Europe. Soon as he was at work on the first version of his Faust, which would finally appear as a fragment in 1790.

In the 1780s Goethe visited England and immersed himself in classical poetry. The next decade saw the appearance of Wihelm Meister’s Apprenticeship, his novel of a young artist education, and a wealth of poetry and criticism. He returned to the Faust material around the turn of the century and completed Part 1 in 1808.

The later years of his life were devoted to a bewildering array of pursuits: research in botany and in a theory of colors, a novel (Elective Affinities), the evocative poems of the West-Easters Divan, and his great autobiography, Poetry and Truth. In his eighties he prepared a forty-volume edition of his works; the forty-first volume, published after his death in 1832, was the send part of Faust.

Goethe’s wide-ranging mind could never be confined to one form or one philosophy. When asked for the theme of his masterwork, Faust, he could only say. “From heaven through all the world to hell”; his subject was nothing smaller.

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