Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings
Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gerard Assayag, Jean Bresson, John Manderau
Springer Science & Business Media, Jun 14, 2011 - Computers - 375 pages
This book constitutes the refereed proceedings of the Third International Conference on Mathematics and Computation in Music, MCM 2011, held in Paris, France, in June 2011. The 24 revised full papers presented and the 12 short papers were carefully reviewed and selected from 62 submissions. The MCM conference is the flagship conference of the Society for Mathematics and Computation in Music. This year’s conference aimed to provide a multi-disciplinary platform dedicated to the communication and exchange of ideas amongst researchers involved in mathematics, computer science, music theory, composition, musicology, or other related disciplines. Areas covered were formalization and geometrical representation of musical structures and processes; mathematical models for music improvisation and gestures theory; set-theoretical and transformational approaches; computational analysis and cognitive musicology as well as more general discussions on history, philosophy and epistemology of music and mathematics.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
affinity spaces algorithm analysis ascending Berlin Heidelberg 2011 cardinality chord chromatic Clampitt cluster cognitive comma-demarcated composer composition Computer consonant corresponding cycle defined denoted diagram diatonic scale dynamic elements encoded equal temperament example feature frequency function fundamental bass gestural harmonic Helmholtz heptachord improvisation interval inversion inversional equivalence label LNAI major maps mathematical Mazzola melodic microtonal Mimi Mimi’s minor third mode monoid morphisms Music Theory musicians neo-Riemannian notes nth roots octave pairwise well-formed palindrome paper path pattern perfect fifth performer permutation piece pitch class pitch class set pitch-space plactic progressions ratios relations represent representation rotation segments semitones sequence spatial spc sets spelled heptachord Springer-Verlag Berlin Heidelberg step Stern-Brocot tree structure symmetry T-net tetrachords tetractys Theorem time-bracket tonal tone Tonnetz topological Topos transformations transposition triads tritone tuning two-dimensional University values visual VLTs voice voice-leading well-formed scales